For some reason (oh, I remember now- because I forgot to bring in my XM from the car the night before) I find myself watching Morning Joe on MSNBC at around 7 AM. And on comes a commercial that basically ruins my mood for the day.
We see a grandson and his grampa, sitting on the couch. Little boy says "are you worried about your surgery?" Grampa: "Sure."
Grandson: "Is it going to be expensive?"
Grampa: "Doesn't matter. The government's paying for it."
Next we see Grandson put on a suit, get into over-sized shoes, and pick up a briefcase as the narrator intones "Government Run-Health Care has to be paid for by someone." Out the door goes the little boy with his briefcase, while Lazy-Ass Selfish Oh Boo Hoo I Want My Precious Surgery Grampa sits on his butt and stares into space.
Seriously, this is so incredibly weak. The old "burden on our grandchildren" bit? Is that really the best you can do, National Family Research Council? You really want us to turn against the Public Option because it "will put a burden on our grandchildren?"
Anyone else think that this "debating point" has been done to death? Notice how every time politicians try to do fix some major wrong, or cure some societal ill, a gang of drooling trolls on the other side pulls a Mrs. Lovejoy and screeches "Oh won't somebody PLEASE think of the CHILDREN??" Now we've got Grampa cast as the Bad Guy because he doesn't want to go bankrupt paying for his surgery. Which side is arguing "why don't you just die," again?
I could go on and on all night about this commercial, but I'll settle on making a few quick points:
The pathetic, lame argument made by this commercial could easily have been made about Social Security, Medicare, the GI Bill, and a whole host of other government programs when they were first proposed- "oh, our grandchildren are going to have to foot the bill for this." Yes, just like they'll have to foot the bill for illegal wars, massive tax cuts for the wealthy, and the gutting of our infrastructure allowed by the suddenly penny-conscious Right. Where are these pigs when it comes time to appropriate hundreds of billions of dollars to invade and occupy sovereign nations? Where are they when the Government decides to cut corporate tax rates or drop the taxes for America's richest 1 percent?
And one more thing- if the Family Research Council is really concerned about leaving a burden of debt on our grandchildren, it ought to get behind the Public Option. Because forty years after the passage of Social Security, there weren't a whole lot of people out there damning the Roosevelt Administration for pushing it through. Chances are, if we are condemned by our grandchildren forty years down the road, it will be because we listened to the tea-baggers, the Sean Hannitys, the Mark Levins, and the scumbags at the Family Research Council- and did nothing.
Monday, October 26, 2009
Thursday, October 22, 2009
Heartbreaking Bait and Switch on Health Care Reform
I was too angry to comment on the newest incarnation of the "Harry and Louise" ads rolled out earlier this year in a stealth attack on real health care reform. You know the ones- where a now-elderly Harry and Louise gripe about how FINALLY, with a LITTLE LESS PARTISANSHIP, Congress may get to REAL health care reform. The one that made me scream FUCK YOU YOU SLIMY BASTARDS at the TV screen, as the two actors playing Harry and Louise played a rather important role in killing Health Care reform in 1993-- and how many people have gone bankrupt, lost their homes, and DIED due to the cost of medical care which has only continued to increase since then, you vicious cretins, may you burn in hell?
This new commercial makes me even angrier, but I just have to comment on it, anyway. Here's a sad-looking, middle-aged man sitting in a virtually empty house, packing up the last of his boxes of memories. He looks fondly at a framed photograph of a middle-aged woman, no doubt his wife and, once upon a time, his High School sweetheart and still the love of his life.
Then we see the sad man walk out of his house carrying a cardboard box. A "Sold" sign is on the lawn- ah, we are starting to get the message. This man has sold his house. Has the woman in the picture passed away, making living in this house too painful to endure?
Then we see the sad man walking through an apartment building, a rather confused look on his face, looking for the door with the right number. There it is- and he enters. Here's his new home, a rather shabby apartment with those cheap venetian blinds they all seem to come with. He sits on his box, and looks at the framed photo of his wife again.
Now he's in his car, and he's driving into a hospital parking lot. And now we see that the woman in the framed photograph is not dead- she's alive, and in a hospital bed, and so happy to see her husband and love of her life, though through her smile we can see her pain. At last, we get the point of the commercial- this couple has lost everything because one of them got sick, and her medical care has eaten away their savings. To pay for her surgery and her medication, they've sold the house they probably bought as newlyweds, raised their kids in, and hoped to grow old together playing gin rummy and watching movies on TCM in.
We are given what ought to be an obvious caption: "No One Should Lose Their Home Paying for Medical Care."
Very effective ad- for Single Payer Health Care, or at the very least, the Public Option. But what are we urged to do at the end? "Support Consensus Health Care Reform." Consensus Health Care Reform?? CONSENSUS HEALTH CARE REFORM?? What the hell does "Consensus Health Care Reform" mean? Why, it means Health Care Reform that can be supported by both Democrats and Republicans, of course. Which means no Single Payer plan, and never you damn mind that Single Payer works wonderfully in most of the civilized world. Which means no public option. Which means no caps on health insurance premiums. Which means no laws banning denial of care, no measures to allow the government to negotiate the price of medication, and no requirements that insurance companies provide affordable policies for people with pre-existing conditions.
In short, "Consensus Health Care Reform" means no reform at all.
So if your heart strings are tugged by the plight of sad man and the woman in the framed photo, you should support a bipartisan bill which will do NOTHING to help people who find themselves in the exact same situation? Come on. What kind of soulless ghouls could make a commercial which very honestly portrays a very real crisis, and then calls on viewers to support a "solution" that does ZERO to meet it?
I really hope this commercial backfires on the inhuman slugs who made it. "No One Should Lose Their Home Paying for Medical Care." I agree- so let's join pretty much every other Democracy on the planet and adopt single-payer. And actually solve the problem. Even if we have to "settle" for a Partisan (gasp, horrors!) bill which passes 51-50 with Joe Biden casting the tie-breaking vote. Because the proper role of Government is to solve problems, not seek some mirage of "Consensus" that leaves us no better off than when we started.
This new commercial makes me even angrier, but I just have to comment on it, anyway. Here's a sad-looking, middle-aged man sitting in a virtually empty house, packing up the last of his boxes of memories. He looks fondly at a framed photograph of a middle-aged woman, no doubt his wife and, once upon a time, his High School sweetheart and still the love of his life.
Then we see the sad man walk out of his house carrying a cardboard box. A "Sold" sign is on the lawn- ah, we are starting to get the message. This man has sold his house. Has the woman in the picture passed away, making living in this house too painful to endure?
Then we see the sad man walking through an apartment building, a rather confused look on his face, looking for the door with the right number. There it is- and he enters. Here's his new home, a rather shabby apartment with those cheap venetian blinds they all seem to come with. He sits on his box, and looks at the framed photo of his wife again.
Now he's in his car, and he's driving into a hospital parking lot. And now we see that the woman in the framed photograph is not dead- she's alive, and in a hospital bed, and so happy to see her husband and love of her life, though through her smile we can see her pain. At last, we get the point of the commercial- this couple has lost everything because one of them got sick, and her medical care has eaten away their savings. To pay for her surgery and her medication, they've sold the house they probably bought as newlyweds, raised their kids in, and hoped to grow old together playing gin rummy and watching movies on TCM in.
We are given what ought to be an obvious caption: "No One Should Lose Their Home Paying for Medical Care."
Very effective ad- for Single Payer Health Care, or at the very least, the Public Option. But what are we urged to do at the end? "Support Consensus Health Care Reform." Consensus Health Care Reform?? CONSENSUS HEALTH CARE REFORM?? What the hell does "Consensus Health Care Reform" mean? Why, it means Health Care Reform that can be supported by both Democrats and Republicans, of course. Which means no Single Payer plan, and never you damn mind that Single Payer works wonderfully in most of the civilized world. Which means no public option. Which means no caps on health insurance premiums. Which means no laws banning denial of care, no measures to allow the government to negotiate the price of medication, and no requirements that insurance companies provide affordable policies for people with pre-existing conditions.
In short, "Consensus Health Care Reform" means no reform at all.
So if your heart strings are tugged by the plight of sad man and the woman in the framed photo, you should support a bipartisan bill which will do NOTHING to help people who find themselves in the exact same situation? Come on. What kind of soulless ghouls could make a commercial which very honestly portrays a very real crisis, and then calls on viewers to support a "solution" that does ZERO to meet it?
I really hope this commercial backfires on the inhuman slugs who made it. "No One Should Lose Their Home Paying for Medical Care." I agree- so let's join pretty much every other Democracy on the planet and adopt single-payer. And actually solve the problem. Even if we have to "settle" for a Partisan (gasp, horrors!) bill which passes 51-50 with Joe Biden casting the tie-breaking vote. Because the proper role of Government is to solve problems, not seek some mirage of "Consensus" that leaves us no better off than when we started.
Sunday, October 18, 2009
But is it a Quality Life?
Steve's trying to call his friends, but he finds himself trapped in a bubble which is supposed to represent the limits of his calling plan. Sucks to be you, Steve.
"So Steve said 'toodle-oo' to his old calling plan, and switched to the Now Network...." Ok, stop right there. I find it very hard to believe that Steve actually said "toodle-oo," or that anyone who uses the phrase "toodle-oo" has friends.
Now Steve is no longer limited in the number of people he can call. "So Steve decided to call every person in the United States. He'll get done when he's ninety-three." And we see a white-haired, white-bearded and bent over Steve completing his life's mission, to call every single mobile phone in the United States. I guess he's white-haired, white-bearded and bent over because that's been the accepted symbol of old age at least since Washington Irving published Rip Van Winkle, some time around 1830.
So, what's this commercial trying to sell, again? The ability to call every phone in the United States? Who wants to do that? Is this a commercial warning the viewers not to fuck away their lives blathering away on their phones to total strangers (not likely- I think that's pretty much what they want us to do)? Is it just trying to remind us that cell phones can still be used to have conversations with people (because seriously, it's been a long time since I've seen people in a phone commercial using the actual "call" option)?
In a more innocent age, I'd say that this phone company is just trying to astound us with the unlimited access to other people's phones that they give you. But considering our culture's obsession with the stupid blinking beeping things, I really think that there ought to be a disclaimer at the bottom of the screen-Do Not Attempt.
"So Steve said 'toodle-oo' to his old calling plan, and switched to the Now Network...." Ok, stop right there. I find it very hard to believe that Steve actually said "toodle-oo," or that anyone who uses the phrase "toodle-oo" has friends.
Now Steve is no longer limited in the number of people he can call. "So Steve decided to call every person in the United States. He'll get done when he's ninety-three." And we see a white-haired, white-bearded and bent over Steve completing his life's mission, to call every single mobile phone in the United States. I guess he's white-haired, white-bearded and bent over because that's been the accepted symbol of old age at least since Washington Irving published Rip Van Winkle, some time around 1830.
So, what's this commercial trying to sell, again? The ability to call every phone in the United States? Who wants to do that? Is this a commercial warning the viewers not to fuck away their lives blathering away on their phones to total strangers (not likely- I think that's pretty much what they want us to do)? Is it just trying to remind us that cell phones can still be used to have conversations with people (because seriously, it's been a long time since I've seen people in a phone commercial using the actual "call" option)?
In a more innocent age, I'd say that this phone company is just trying to astound us with the unlimited access to other people's phones that they give you. But considering our culture's obsession with the stupid blinking beeping things, I really think that there ought to be a disclaimer at the bottom of the screen-Do Not Attempt.
Friday, October 16, 2009
Asthma is the least of your problems, lady
For a full five minutes, the silhouette of a shapely woman wearing high heels marches all over the screen, turning on a dime, changing directions, sometimes aggressively plowing straight ahead as if she's about to come right out of the screen into my living room, then turning left and crossing the length of my tv like the New England Patriots heading down the field in a two-minute offense, continuing to blather on about Symbicort even though she's no longer looking at the viewer.
Twice during this commercial, this silhouette woman defensively tells us that the facts she just bleated "make Symbicort right for me." Who is she arguing with? Why is she pacing this way and that, moving her hands nervously as she goes, while muttering things like "I know that Symbicort won't replace an emergency inhaler?" Why does she only appear in shadow, as if she's in the Witness Protection Program giving testimony on this top secret weapon produced by the criminal masterminds at AstraZeneca (which does sound like the kind of organization James Bond might be sent to destroy?)
Watching this woman's frentic movement throughout the entire commercial, I come to three possible conclusions:
1. This woman has gone insane, and is simply babbling to herself as she struggles vainly to discover a way to escape from the cage she has found herself in. She's like a cheetah displayed in some cruel roadside menagerie, forever pacing back and forth. For God's Sake, AstraZeneca, open a door and let her out already.
2. This woman is suffering from Restless Leg Syndrome, a nasty side effect that some May Experience from taking Symbicort, which is nevertheless Right For Her.
3. Constant movement is a required therapy in her daily struggle to combat Glowing Lung Syndrome. Did I mention that her lungs glow blue and red during most of the commercial? They remind me of the solar lights my parents installed around their pond, and they totally creep me out. Your lungs are glowing, and you are concerned about dealing with bouts of asthma?
And when she concludes by telling me to ask my doctor "if Symbicort is right for me," it sounds a lot more like an order than a suggestion. I guess AstraZeneca's theory is that if the actress is bold and scary enough, the viewer will feel threatened into calling the doctor-- "I'd better try this medication, because Scary Lady in Shadows who couldn't stop walking around and who had glowing lungs told me too."
And who is going to refuse a command by a woman with glowing lungs?
Twice during this commercial, this silhouette woman defensively tells us that the facts she just bleated "make Symbicort right for me." Who is she arguing with? Why is she pacing this way and that, moving her hands nervously as she goes, while muttering things like "I know that Symbicort won't replace an emergency inhaler?" Why does she only appear in shadow, as if she's in the Witness Protection Program giving testimony on this top secret weapon produced by the criminal masterminds at AstraZeneca (which does sound like the kind of organization James Bond might be sent to destroy?)
Watching this woman's frentic movement throughout the entire commercial, I come to three possible conclusions:
1. This woman has gone insane, and is simply babbling to herself as she struggles vainly to discover a way to escape from the cage she has found herself in. She's like a cheetah displayed in some cruel roadside menagerie, forever pacing back and forth. For God's Sake, AstraZeneca, open a door and let her out already.
2. This woman is suffering from Restless Leg Syndrome, a nasty side effect that some May Experience from taking Symbicort, which is nevertheless Right For Her.
3. Constant movement is a required therapy in her daily struggle to combat Glowing Lung Syndrome. Did I mention that her lungs glow blue and red during most of the commercial? They remind me of the solar lights my parents installed around their pond, and they totally creep me out. Your lungs are glowing, and you are concerned about dealing with bouts of asthma?
And when she concludes by telling me to ask my doctor "if Symbicort is right for me," it sounds a lot more like an order than a suggestion. I guess AstraZeneca's theory is that if the actress is bold and scary enough, the viewer will feel threatened into calling the doctor-- "I'd better try this medication, because Scary Lady in Shadows who couldn't stop walking around and who had glowing lungs told me too."
And who is going to refuse a command by a woman with glowing lungs?
Monday, October 12, 2009
If you Want to Sell Out, Sell Out
We hear a hideous version of the Beatles classic "All You Need is Love," brought to us by Blackberry. Maybe in the 60s, all we needed was Love. In the year 2009, all we need is Love and a blinking, beeping box that we can use to download video, tweet our every move, keep track of sports scores and avoid developing actual relationships with the human beings around us.
We hear a not-quite-as-horrible version of the Cat Stevens classic "If You Want to Sing Out, Sing Out" brought to us by some other cell phone company (at this point, who really gives a shit which one? ) I think that when Stevens (I know that's not his name anymore, but it was at the time) wrote that song, it was supposed to be a celebration of individuality and a call to reject the call to conform being pushed upon us by society. Now wanting to "be me" apparently requires me to get a phone that looks a lot like the one everyone else owns. I can't "be me" unless I have this phone, because this phone will allow me to express What it Means to Be Me. Or something.
It's not enough that cell phone companies want us to spend pretty much every waking moment of our lives staring at some little screen while pushing buttons. Now they are reaching into the past to find songs about how unimportant material things are and how beautiful each of us is, if we are only willing to show the world who we are, to SELL PHONES. More than that- we are being told that if we want to be loved, if we want to be creative and complete, we must own one of these stupid phones.
Well, I've got a little Nokia that I use because it's cheaper and more convenient than a land line. I can use it to check my email, but I never do. I guess I can't use it to Twitter, but I'm not sure, because I'm not about to try. I can't use it to download video, and I couldn't care less. So I guess I'd better reconcile myself to a life without Love, in which I never really learn Who I Am.
Sucks to be me, I guess. Doesn't suck to be Cat Stevens, though, who has apparently decided that it's all well and good to be devoted to peace and harmony with the universe, but business is business.
We hear a not-quite-as-horrible version of the Cat Stevens classic "If You Want to Sing Out, Sing Out" brought to us by some other cell phone company (at this point, who really gives a shit which one? ) I think that when Stevens (I know that's not his name anymore, but it was at the time) wrote that song, it was supposed to be a celebration of individuality and a call to reject the call to conform being pushed upon us by society. Now wanting to "be me" apparently requires me to get a phone that looks a lot like the one everyone else owns. I can't "be me" unless I have this phone, because this phone will allow me to express What it Means to Be Me. Or something.
It's not enough that cell phone companies want us to spend pretty much every waking moment of our lives staring at some little screen while pushing buttons. Now they are reaching into the past to find songs about how unimportant material things are and how beautiful each of us is, if we are only willing to show the world who we are, to SELL PHONES. More than that- we are being told that if we want to be loved, if we want to be creative and complete, we must own one of these stupid phones.
Well, I've got a little Nokia that I use because it's cheaper and more convenient than a land line. I can use it to check my email, but I never do. I guess I can't use it to Twitter, but I'm not sure, because I'm not about to try. I can't use it to download video, and I couldn't care less. So I guess I'd better reconcile myself to a life without Love, in which I never really learn Who I Am.
Sucks to be me, I guess. Doesn't suck to be Cat Stevens, though, who has apparently decided that it's all well and good to be devoted to peace and harmony with the universe, but business is business.
To paraphrase Thomas More: "Whatever may be done by Texting, you may rely upon me to do."
A young man strolling down a residential neighborhood sees the plaintive plea stapled to a telephone pole-- "Please Help Me Find This Dog." Being a thoughtful, warm-hearted fellow, he does the most helpful thing he can think of- he whips out his cell phone (oh, who are we kidding? He had it in his hand already, of course!) and takes a photo of the sign.
Using the Verizon Network, he then sends the photo to the people in his address book. And now we get to see the photo bouncing from phone to phone- one person after another sees it (one woman shakes her head sadly before passing it along) and sends it along, until pretty much everyone in town has seen it.
The Happy Conclusion to all this texting is that the original Young Man With a Heart gets a text- FOUND THE DOG!! And we see the sad owner's face light up as she arrives home to see Young Man sitting on her front stoop, releasing the dog to run into Now Happy Owner's arms.
Here's my rather obvious observation: At no point in the commercial do we see anyone actually LOOKING FOR THE LOST DOG. Just passing the buck-- err, text message- to other people. The assumption of every single person who receives this text is clearly "someone else will find this dog. I'm doing the only thing I am capable of doing, the only thing I can reasonably be expected to do, by passing along this message."
The dog is "found" because among a group of girls who are petting the dog is one who happens to get the message. Wow, what a logic-bending coincidence: Just as I am petting this strange dog, I get a text message letting me know that it's a LOST dog. What shall I do in response? Well, that's also obvious: Text back, so that the original dog-searcher can come and get it and bring it to it's owner. Because even though I received a photo of the poster, because even though I have the dog in my possession, that doesn't mean I should be the one to actually GET OFF MY ASS AND RETURN THE DOG.
Also- what happens now? Does a wave of "The Dog Has Been Found" texts start circling the planet? Naw, why bother- it's not like anyone was lifting a finger (off their cell phones) to search anyway. Wouldn't this commercial had been more effective if all this texting had resulted in an army of people actually LOOKING FOR THE DOG? Ah, but that would have distracted the viewer from the main message, which seems to be "Verizon allows you to pretend to be a concerned individual while playing with your cell phone. With a few clicks, you've done your good deed for the day. Now get back to playing that stupid new game you just downloaded."
Using the Verizon Network, he then sends the photo to the people in his address book. And now we get to see the photo bouncing from phone to phone- one person after another sees it (one woman shakes her head sadly before passing it along) and sends it along, until pretty much everyone in town has seen it.
The Happy Conclusion to all this texting is that the original Young Man With a Heart gets a text- FOUND THE DOG!! And we see the sad owner's face light up as she arrives home to see Young Man sitting on her front stoop, releasing the dog to run into Now Happy Owner's arms.
Here's my rather obvious observation: At no point in the commercial do we see anyone actually LOOKING FOR THE LOST DOG. Just passing the buck-- err, text message- to other people. The assumption of every single person who receives this text is clearly "someone else will find this dog. I'm doing the only thing I am capable of doing, the only thing I can reasonably be expected to do, by passing along this message."
The dog is "found" because among a group of girls who are petting the dog is one who happens to get the message. Wow, what a logic-bending coincidence: Just as I am petting this strange dog, I get a text message letting me know that it's a LOST dog. What shall I do in response? Well, that's also obvious: Text back, so that the original dog-searcher can come and get it and bring it to it's owner. Because even though I received a photo of the poster, because even though I have the dog in my possession, that doesn't mean I should be the one to actually GET OFF MY ASS AND RETURN THE DOG.
Also- what happens now? Does a wave of "The Dog Has Been Found" texts start circling the planet? Naw, why bother- it's not like anyone was lifting a finger (off their cell phones) to search anyway. Wouldn't this commercial had been more effective if all this texting had resulted in an army of people actually LOOKING FOR THE DOG? Ah, but that would have distracted the viewer from the main message, which seems to be "Verizon allows you to pretend to be a concerned individual while playing with your cell phone. With a few clicks, you've done your good deed for the day. Now get back to playing that stupid new game you just downloaded."
Sunday, October 11, 2009
Falling Leaves, a Chill in the Air, and a dungeon full of screaming victims- it must be Autumn
I'm watching the Redskins-Panthers game, and I'm being assaulted repeatedly by commercials for Saw VI. People screaming. People begging for mercy. People chained or tied to all kinds of nasty machines designed to inflict slow, agonizing death. And now, back to the game.
Seriously, can someone explain this to me? Six of these films, in six years. By now, it's pretty clear that there will never be any kind of resolution, which I thought was the reason why people went to the movies- because in real life, we don't get a lot of conclusions we can look forward to, but in film, we get storylines wrapped up in a satisfactory manner (and if we don't, we think "that's a pretty lousy film.") I've never seen any of these Saw films, but you'd have to have something seriously wrong with you if you think you are going to see an actual "conclusion" to the story in the sixth installment.
No, what you are going to get is more torture, more pain, more brutality, more begging, more blood- and an "ending" that lets you know what you were sure of when you walked in- that there will be a Saw VII, coming to your local theatre sometime next year, probably in time for Halloween. Which means that if you go to these movies, you are going simply because you enjoy watching people getting tortured.
Ok, maybe that's your thing. Personally, I think that anyone who has gone to more than one of these pointless violence-porn gorefests ought to be required to undergo a psychiatric screening, but that's just me. I don't wonder why these films are made- they aren't big budget, and they rake in tons of cash. I'll stick to the commercials- why do they have to run during the only time of the week where I engage in extended tv viewing? Why do they have to run during a sporting event no doubt being viewed by kids who (allegedly) can't get into the theatre to see the film anyway? In fact, why do they have to run at all- I'm pretty convinced that there's a core audience of people who have seen Saw I through Saw V which will march like lemmings to see Saw VI, VII, VIII, IX and X, due for release in October 2013. So why bother with commercials? Does the studio really think that people are going to see the ad and think "gee, that looks interesting. I think I'll check that out."
If so, I hope that he has second thoughts later- "nah, I didn't catch the first five installments. I'd be totally lost."
Seriously, can someone explain this to me? Six of these films, in six years. By now, it's pretty clear that there will never be any kind of resolution, which I thought was the reason why people went to the movies- because in real life, we don't get a lot of conclusions we can look forward to, but in film, we get storylines wrapped up in a satisfactory manner (and if we don't, we think "that's a pretty lousy film.") I've never seen any of these Saw films, but you'd have to have something seriously wrong with you if you think you are going to see an actual "conclusion" to the story in the sixth installment.
No, what you are going to get is more torture, more pain, more brutality, more begging, more blood- and an "ending" that lets you know what you were sure of when you walked in- that there will be a Saw VII, coming to your local theatre sometime next year, probably in time for Halloween. Which means that if you go to these movies, you are going simply because you enjoy watching people getting tortured.
Ok, maybe that's your thing. Personally, I think that anyone who has gone to more than one of these pointless violence-porn gorefests ought to be required to undergo a psychiatric screening, but that's just me. I don't wonder why these films are made- they aren't big budget, and they rake in tons of cash. I'll stick to the commercials- why do they have to run during the only time of the week where I engage in extended tv viewing? Why do they have to run during a sporting event no doubt being viewed by kids who (allegedly) can't get into the theatre to see the film anyway? In fact, why do they have to run at all- I'm pretty convinced that there's a core audience of people who have seen Saw I through Saw V which will march like lemmings to see Saw VI, VII, VIII, IX and X, due for release in October 2013. So why bother with commercials? Does the studio really think that people are going to see the ad and think "gee, that looks interesting. I think I'll check that out."
If so, I hope that he has second thoughts later- "nah, I didn't catch the first five installments. I'd be totally lost."
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